
Now hanging
Artful Jesters
Artists, arguments and studio methods behind comic creativity in visual art
08pieces on the wall, the latest hung on 22/09/2026

Latest piecePress Criticism as Argued Humour
The main wall
Latest pieces on the wall
8 pieces hung between 08/09/2026 and 22/09/2026
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Inv. BK-001 · Room 04
Press Criticism as Argued Humour
Close readings of how newspapers covered a story turn exaggeration, absurd detail and a critic's wit into the argument itself.
Hung on
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Inv. HI-001 · Room 02
Deadpan Laughter in Classic Film Noir
Classic noir hides dry jokes inside grim rooms. The one-liner under pressure and the absurd detail turn contrast into laughter.
Hung on
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Inv. ST-001 · Room 03
Comic Timing in Still Photography
A funny photograph depends on timing, not subject. The half second before or after the expected moment makes the frame read as comic.
Hung on
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Inv. AR-001 · Room 01
Meissen Monkeys: Satire in a Hand-Sized Figure
How Meissen modellers fit satire into hand-sized figures: pose, scale and glaze carry the joke, and what a restorer sees when the figure is repaired.
Hung on
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Inv. HI-002 · Room 02
The Visual Gag in Classic Anime, Read Without Sound
How 1970s to 1990s animation builds a sight gag through held poses, speed lines and comic deformation, and why the joke survives dubbing.
Hung on
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Inv. ST-002 · Room 03
Set Dressing for a Joke the Viewer Feels
How production designers build visual gags through scale mismatch, misplaced objects, and repetition, and why the audience laughs without knowing why.
Hung on
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Inv. AR-002 · Room 01
Watercolour Comedy: Gestures That Carry a Joke
Watercolour carries a joke through blooms, hard edges, and speed. A look at the medium's own comedy and what a daily practice journal teaches.
Hung on
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Inv. BK-002 · Room 04
Funny Objects in the County Museum Catalogue
Local history collections keep novelty signs, joke tools and amateur carvings. A county museum catalogue dates them and preserves both the object and the laugh.
Hung on
A closer look


Room sheet
Every entry in Artful Jesters begins with one question about humour in visual art. How a caricaturist decides which feature to exaggerate. Why a funny photograph depends on the moment rather than the subject. Where a film noir keeps its jokes and why it plays them deadpan. How a maker fits a satire into a porcelain figure the size of a hand. The desk reads the catalogues, the museum records, the press archives and the published interviews, writes the answer first, and files the entry in one of four rooms: Artists, Humor in Art, Studio and Books. Each entry names the sources it read and carries the date it was last checked.
Room 01
Artists
Profiles of the visual jesters: how a painter, sculptor or cartoonist builds a joke, and what the work is arguing about.
2 pieces · last hung on 16/09/2026
Also on the main wall.
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Inv. AR-001
Meissen Monkeys: Satire in a Hand-Sized Figure
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Inv. AR-002
Watercolour Comedy: Gestures That Carry a Joke
Room 02
Humor in Art
The tradition behind the laugh: parody, irony, satire, absurdity and wit in painting, sculpture and print, from the jesters to the present.
2 pieces · last hung on 20/09/2026
Also on the main wall.
Room 03
Studio
Comic creativity as a practice: exercises, methods and classroom work that train the eye to see the funny version of a thing.
2 pieces · last hung on 18/09/2026
Also on the main wall.
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Inv. ST-001
Comic Timing in Still Photography
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Inv. ST-002
Set Dressing for a Joke the Viewer Feels
Room 04
Books
The shelf of reading on humour in art: monographs, catalogues, histories and classroom resources, each with what it actually gives the reader.
2 pieces · last hung on 22/09/2026
Also on the main wall.
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Inv. BK-002
Funny Objects in the County Museum Catalogue
Elsewhere
Other desks, other shelves
Desks kept by other editors, each read before it was listed here, and each named for what it holds.
01A French magazine on the picture in the domestic interior, from choosing an image to the height and spacing of the hook, reads a wall the way a hangman of exhibitions does. hanging a picture at the right height
02A French review of dance as technique and history, from the classical barre to the barefoot line, keeps a working glossary of the words a body answers to. the vocabulary of a movement
03A working guide to licensing archive footage and stills for an edit, from the difference between royalty free and rights managed to what a clearance file has to show. licensing an archive shot